9781478005957-1478005955-Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (a Cultural Politics book)

Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (a Cultural Politics book)

ISBN-13: 9781478005957
ISBN-10: 1478005955
Author: John Beck, Ryan Bishop
Publication date: 2020
Publisher: Duke University Press Books
Format: Hardcover 240 pages
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Book details

ISBN-13: 9781478005957
ISBN-10: 1478005955
Author: John Beck, Ryan Bishop
Publication date: 2020
Publisher: Duke University Press Books
Format: Hardcover 240 pages

Summary

Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (a Cultural Politics book) (ISBN-13: 9781478005957 and ISBN-10: 1478005955), written by authors John Beck, Ryan Bishop, was published by Duke University Press Books in 2020. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (a Cultural Politics book) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.55.

Description

In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of Bell Labs, the RAND Corporation, and the Los Angeles County Museum of Art, experiments in art and technology presaged not only a new aesthetic but a new utopian social order based on collective experimentation. In examining these projects' promises and pitfalls and how they have inspired a new generation of collaborative labs populated by artists, engineers, and scientists, Beck and Bishop reveal the connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.

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