9781472527486-1472527488-The Making of Samuel Beckett's 'Endgame'/'Fin de partie' (The Beckett Manuscript Project)

The Making of Samuel Beckett's 'Endgame'/'Fin de partie' (The Beckett Manuscript Project)

ISBN-13: 9781472527486
ISBN-10: 1472527488
Author: Dirk Van Hulle, Shane Weller
Publication date: 2018
Publisher: Bloomsbury Academic
Format: Paperback 376 pages
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Book details

ISBN-13: 9781472527486
ISBN-10: 1472527488
Author: Dirk Van Hulle, Shane Weller
Publication date: 2018
Publisher: Bloomsbury Academic
Format: Paperback 376 pages

Summary

The Making of Samuel Beckett's 'Endgame'/'Fin de partie' (The Beckett Manuscript Project) (ISBN-13: 9781472527486 and ISBN-10: 1472527488), written by authors Dirk Van Hulle, Shane Weller, was published by Bloomsbury Academic in 2018. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent The Making of Samuel Beckett's 'Endgame'/'Fin de partie' (The Beckett Manuscript Project) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.39.

Description

Originally written in French and first performed at the Royal Court Theatre in 1957, Samuel Beckett's Endgame is widely regarded as one of his most important works. The Making of Samuel Beckett's 'Endgame'/'Fin de partie' is a comprehensive reference guide to the history of the text. The book includes:

A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages
A critical reconstruction of the history of the text, from its genesis through the process of composition to its full publication history
A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org

This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.

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