9781472473585-1472473582-New Approaches in Applied Musicology: A Common Framework for Music Education and Psychology Research (SEMPRE Studies in The Psychology of Music)

New Approaches in Applied Musicology: A Common Framework for Music Education and Psychology Research (SEMPRE Studies in The Psychology of Music)

ISBN-13: 9781472473585
ISBN-10: 1472473582
Edition: 1
Author: Graham Welch, Adam Ockelford
Publication date: 2020
Publisher: Routledge
Format: Hardcover 276 pages
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Book details

ISBN-13: 9781472473585
ISBN-10: 1472473582
Edition: 1
Author: Graham Welch, Adam Ockelford
Publication date: 2020
Publisher: Routledge
Format: Hardcover 276 pages

Summary

New Approaches in Applied Musicology: A Common Framework for Music Education and Psychology Research (SEMPRE Studies in The Psychology of Music) (ISBN-13: 9781472473585 and ISBN-10: 1472473582), written by authors Graham Welch, Adam Ockelford, was published by Routledge in 2020. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent New Approaches in Applied Musicology: A Common Framework for Music Education and Psychology Research (SEMPRE Studies in The Psychology of Music) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book presents four extended essays that are rooted in the growing interdisciplinary field of applied musicology, in which music theory - in particular, the zygonic conjecture - is used to inform thinking in the domains of music psychology, music education and music therapy research. It is essential reading for academics and postgraduate students working in these fields. The topics covered include a new study on the emergence of musical abilities in the early years, using the Sounds of Intent framework of musical development; an exploration of how the Sounds of Intent model can be extended to map how people with learning difficulties engage in creative multisensory activities; an investigation of the expectations generated on hearing a piece of music more than once evolve in cognition, using evidence from a musical savant; and a report on the effect on listeners of repeated exposure to a novel melody. Data are drawn from the findings of postgraduate and postdoctoral projects. It is hoped that this exciting new work will act as a catalyst in the emerging field of applied musicological research, and bring recognition to a group of new young academics.

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