Daniels' Orchestral Music (Music Finders)

Review
Even in this age of online databases, I still am a frequent user of the print edition of Daniels' Orchestral Music. A quick grab to the latest edition, always nearby, is still one of the quickest ways to get the information that I need to do my job. -- Peter Conover, principal librarian, Chicago Symphony Orchestra
Since the day I started programming my seasons as a conductor, Daniels’ Orchestral Music has been an invaluable companion. To welcome this Sixth Edition is an opportunity to program with even more choice and accuracy. The digital edition is a wonderful tool for us all traveling musicians.
-- Ludovic Morlot, conductor, music director, Barcelona Symphony Orchestra
This is the indispensable reference not just for orchestral librarians, but for every conductor, personnel manager, artistic planner, production team, and program notes annotator. The Boston Symphony has multiple copies, to be replaced with this wonderful new sixth edition. David Rahbee and David Oertel continue to expand and improve while maintaining the standard set up by the late David Daniels—they always want to get it right, and they have.
-- D. Wilson Ochoa, principal librarian, Boston Symphony
Performance librarians can count on Daniels’ Orchestral Music to provide critical details about instrumentation, timing, and sourcing for an ever-increasing number of works. Since David Daniels and the current editors are committed to constant improvement, the book continues to be a vital resource, growing ever more valuable with each new edition. -- Elizabeth Cusato Schnobrick, principal librarian, National Symphony Orchestra
I was introduced to the first edition of the Orchestral Handbook at the start of my career and have since treasured it and every edition published. The evolution of this sixth edition of Daniels’ Orchestral Music is symbolic of a determination to keep discovering the depth of symphonic repertoire. The attention to the fine details of composers’ works is a reliable and trusted resource.
-- Ella M. Fredrickson, principal librarian, The Florida Orchestra
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season.
This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire.
Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional.
This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.