Adorno's Poetics of Form (SUNY Series in Contemporary Continental Philosophy)
ISBN-13:
9781438469843
ISBN-10:
1438469845
Edition:
Reprint
Author:
Josh Robinson
Publication date:
2019
Publisher:
State University of New York Press
Format:
Paperback
288 pages
Category:
Aesthetics
,
Philosophy
,
Modern
,
Movements
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Book details
ISBN-13:
9781438469843
ISBN-10:
1438469845
Edition:
Reprint
Author:
Josh Robinson
Publication date:
2019
Publisher:
State University of New York Press
Format:
Paperback
288 pages
Category:
Aesthetics
,
Philosophy
,
Modern
,
Movements
Summary
Adorno's Poetics of Form (SUNY Series in Contemporary Continental Philosophy) (ISBN-13: 9781438469843 and ISBN-10: 1438469845), written by authors
Josh Robinson, was published by State University of New York Press in 2019.
With an overall rating of 3.9 stars, it's a notable title among other
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Description
A critical study of the concept of form in Adorno’s writings on art and literature.
Adorno’s Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno’s writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno’s work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno’s poetics for literary and critical theory today.
Adorno’s Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno’s writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno’s work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno’s poetics for literary and critical theory today.
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