9781438463087-1438463081-Oscillations of Literary Theory: The Paranoid Imperative and Queer Reparative (SUNY series, Transforming Subjects: Psychoanalysis, Culture, and Studies in Education)

Oscillations of Literary Theory: The Paranoid Imperative and Queer Reparative (SUNY series, Transforming Subjects: Psychoanalysis, Culture, and Studies in Education)

ISBN-13: 9781438463087
ISBN-10: 1438463081
Edition: Reprint
Author: A. C. Facundo
Publication date: 2017
Publisher: State University of New York Press
Format: Paperback 242 pages
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Book details

ISBN-13: 9781438463087
ISBN-10: 1438463081
Edition: Reprint
Author: A. C. Facundo
Publication date: 2017
Publisher: State University of New York Press
Format: Paperback 242 pages

Summary

Oscillations of Literary Theory: The Paranoid Imperative and Queer Reparative (SUNY series, Transforming Subjects: Psychoanalysis, Culture, and Studies in Education) (ISBN-13: 9781438463087 and ISBN-10: 1438463081), written by authors A. C. Facundo, was published by State University of New York Press in 2017. With an overall rating of 3.8 stars, it's a notable title among other books. You can easily purchase or rent Oscillations of Literary Theory: The Paranoid Imperative and Queer Reparative (SUNY series, Transforming Subjects: Psychoanalysis, Culture, and Studies in Education) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.13.

Description

Revises key psychoanalytic concepts that influence interpretive practices in the humanities and formulates a new approach to reading fiction.

Oscillations of Literary Theory offers a new psychoanalytic approach to reading literature queerly, one that implicates queer theory without depending on explicit representations of sex or queer identities. By focusing on desire and identifications, A. C. Facundo argues that readers can enjoy the text through a variety of rhythms between two (eroticized) positions: the paranoid imperative and queer reparative. Facundo examines the metaphor of rupture as central to the logic of critique, particularly the project to undo conventional formations of identity and power. To show how readers can rebuild their relational worlds after the rupture, Facundo looks to the themes of the desire for omniscience, the queer pleasure of the text, loss and letting go, and the vanishing points that structure thinking. Analyses of Nabokov’s Lolita, Danielewski’s House of Leaves, Findley’s The Wars, and Ishiguro’s Never Let Me Go are included, which model this new approach to reading.
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