9781409403180-1409403181-Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768–1848 (British Art: Global Contexts)

Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768–1848 (British Art: Global Contexts)

ISBN-13: 9781409403180
ISBN-10: 1409403181
Edition: 1
Author: Mark Hallett, John Barrell, Sarah Monks
Publication date: 2013
Publisher: Routledge
Format: Hardcover 278 pages
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Book details

ISBN-13: 9781409403180
ISBN-10: 1409403181
Edition: 1
Author: Mark Hallett, John Barrell, Sarah Monks
Publication date: 2013
Publisher: Routledge
Format: Hardcover 278 pages

Summary

Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768–1848 (British Art: Global Contexts) (ISBN-13: 9781409403180 and ISBN-10: 1409403181), written by authors Mark Hallett, John Barrell, Sarah Monks, was published by Routledge in 2013. With an overall rating of 3.7 stars, it's a notable title among other books. You can easily purchase or rent Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768–1848 (British Art: Global Contexts) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art’s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ’liberated’ in the wake of the Pre-Raphaelite Brotherhood’s emergence in 1848 - this volume investigates the Academy’s varied impact upon the lives, experiences and ideals of its diverse artistic communities.
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