9781408185230-1408185237-Women Making Shakespeare: Text, Reception and Performance (Arden Shakespeare)

Women Making Shakespeare: Text, Reception and Performance (Arden Shakespeare)

ISBN-13: 9781408185230
ISBN-10: 1408185237
Author: Lena Cowen Orlin, Gordon McMullan, Virginia Mason Vaughan
Publication date: 2014
Publisher: The Arden Shakespeare
Format: Paperback 384 pages
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Book details

ISBN-13: 9781408185230
ISBN-10: 1408185237
Author: Lena Cowen Orlin, Gordon McMullan, Virginia Mason Vaughan
Publication date: 2014
Publisher: The Arden Shakespeare
Format: Paperback 384 pages

Summary

Women Making Shakespeare: Text, Reception and Performance (Arden Shakespeare) (ISBN-13: 9781408185230 and ISBN-10: 1408185237), written by authors Lena Cowen Orlin, Gordon McMullan, Virginia Mason Vaughan, was published by The Arden Shakespeare in 2014. With an overall rating of 3.8 stars, it's a notable title among other books. You can easily purchase or rent Women Making Shakespeare: Text, Reception and Performance (Arden Shakespeare) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Women Making Shakespeare presents a series of 20-25 short essays that draw on a variety of resources, including interviews with directors, actors, and other performance practitioners, to explore the place (or constitutive absence) of women in the Shakespearean text and in the history of Shakespearean reception - the many ways women, working individually or in communities, have shaped and transformed the reception, performance, and teaching of Shakespeare from the 17th century to the present. The book highlights the essential role Shakespeare's texts have played in the historical development of feminism. Rather than a traditional collection of essays, Women Making Shakespeare brings together materials from diverse resources and uses diverse research methods to create something new and transformative. Among the many women's interactions with Shakespeare to be considered are acting (whether on the professional stage, in film, on lecture tours, or in staged readings), editing, teaching, academic writing, and recycling through adaptations and appropriations (film, novels, poems, plays, visual arts).
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