Black British Queer Plays and Practitioners: An Anthology of Afriquia Theatre: Basin; Boy with Beer; Sin Dykes; Bashment; Nine Lives; Burgerz; The High Table; Stars

About the Author
Zodwa Nyoni is a Zimbabwean-born playwright and poet based in Leeds, UK. As winner of the Channel 4 Playwright's Scheme, she was Writer-in-Residence at the West Yorkshire Playhouse in 2014. Her first full-length play, Boi Boi is Dead, was shortlisted for the Susan Smith Blackburn Prize 2014/15. Other theatre credits include: Tangled Roots (2014), Nine Lives (2014), Come To Where I'm From (2013), The Market (2013), Di Daakes' Part A Di Night (2013), Home Has Died (2012), Why The Drought Returns (2012), The Night Shift (2011) and The Povo Die Till Freedom Comes (2010). She has been the recipient of the following awards: Award for the Arts 2011 (Leeds Black Awards) and the Young Black and Asian Writers Award (The Big Issue in the North's Short Story Competition 2011).
Mojisola Adebayo is a playwright, performer, director, producer, workshop facilitator and lecturer. She has a BA in Drama and Theatre Arts, an MA in Physical Theatre and her PhD is entitled Afriquia Theatre: Creating Black Queer Ubuntu Through Performance (Goldsmiths, Royal Holloway and Queen Mary, University of London). Mojisola trained extensively with Augusto Boal and is an international specialist in Theatre of the Oppressed, often working in locations of crisis and conflict. She has worked in theatre, radio and television, on four continents, over the past 25 years, performing in over 50 productions, writing, devising and directing over 30 plays, and leading countless workshops, from Antarctica to Zimbabwe. Her own authored plays include Moj of the Antarctic: An African Odyssey (Lyric Hammersmith and Ovalhouse, London), Muhammad Ali and Me (Ovalhouse, Albany Theatre, London and UK touring), 48 Minutes for Palestine (Ashtar Theatre and international touring), Desert Boy (Albany Theatre, London and UK touring), The Listeners (Pegasus Theatre, Oxford), I Stand Corrected (Artscape, Ovalhouse, London and international touring and The Interrogation of Sandra Bland (Bush Theatre, London).
Jacqueline Rudet (aka Magdalene St Luce) is a playwright. She was born in England but spent her early years in Dominica before moving back to Britain. She studied drama at Barking College and began her career as an actress with the alternative theatre companies CAST and Belt and Braces, before forming Imani-Faith, a group founded to present theatre for and by black women. She went on to write for Black Theatre Co-operative, the Royal Court and Croydon Warehouse. Her plays include God's Second in Command, Take Back What's Yours, Basin and Money To Live.
Travis Alabanza is a performer, writer and theatre-maker. In 2016/17 they became the youngest recipient of the artist-in-residence at the Tate workshop programme, starred in Scottee's theatre production Putting Words in your Mouth at the Roundhouse and the Royal Exchange adaptation of Derek Jarman's Jubilee, performed in venues such as V&A, Tate, ICA, the Roundhouse and Barbican – and had their work featured in The Guardian, BBC, Huck Magazine and more. Known for increasingly paving much of the UK conversation around trans politics, Alabanza has become a staple of the London queer scene and further afield. Giving talks and performances at over 40 UK universities, ranging from the RCA, Central St Martin's, Oxford and Cambridge University, and institutions abroad such as Harvard, Brown University and Austin, Texas. Their debut poetry book Before I step Outside (you love me) released in 2017 has been shipped to over 19 countries worldwide and listed as one of the top trans literary books of 2017. With this book they also have toured Europe and the United States, performing and reading it to over 200 venues and countless audiences, including Harvard University, Brighton Art Festival, Macedonia Pride and more. In the last two years they have been noted by numerous publications, such as ARTSY, ID and MOBO _AWARDS as one of the most prominent emerging queer artistic voices, and also listed in OUT as an influential queer f