9781350194946-1350194948-Aardman Animations: Beyond Stop-Motion

Aardman Animations: Beyond Stop-Motion

ISBN-13: 9781350194946
ISBN-10: 1350194948
Author: Annabelle Honess Roe
Publication date: 2021
Publisher: Bloomsbury Academic
Format: Paperback 290 pages
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Book details

ISBN-13: 9781350194946
ISBN-10: 1350194948
Author: Annabelle Honess Roe
Publication date: 2021
Publisher: Bloomsbury Academic
Format: Paperback 290 pages

Summary

Aardman Animations: Beyond Stop-Motion (ISBN-13: 9781350194946 and ISBN-10: 1350194948), written by authors Annabelle Honess Roe, was published by Bloomsbury Academic in 2021. With an overall rating of 4.3 stars, it's a notable title among other Film & Video Art (Photography & Video, Animation, Graphic Design) books. You can easily purchase or rent Aardman Animations: Beyond Stop-Motion (Paperback) from BooksRun, along with many other new and used Film & Video Art books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.22.

Description

The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style.

This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era.

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