Russian Utopia: A Century of Revolutionary Possibilities (Russian Shorts)

About the Author
Mark D. Steinberg is Professor of History at the University of Illinois, USA. He is the author of several books, including A History of Russia (9th Ed., 2018; co-authored with Nicholas V. Riasanovsky), The Russian Revolution, 1905-1921 (2017) and Petersburg Fin de Siècle (2011). His books have been translated into Portuguese, Japanese and Russian. He is also the co-editor of volumes such as Interpreting Emotions in Russia and Eastern Europe (2011; with Valeria Sobol) and Religion, Morality, and Community in Post-Soviet Societies (2008; with Catherine Wanner).
Eugene M. Avrutin is the Tobor Family Endowed Professor of Modern European Jewish History at the University of Illinois, Urbana-Champaign, USA. He is the author and co-editor of several award-winning books, including Jews and the Imperial State: Identification Politics in Tsarist Russia (2010) and The Velizh Affair: Blood Libel in a Russian Town (2018). Most recently, he edited, with Elissa Bemporad, Pogroms: A Documentary History (2021).
Stephen M. Norris is Walter E. Havighurst Professor of Russian History and Director of the Havighurst Center for Russian and Post-Soviet Studies at Miami University (OH), USA. He is the author and editor of seven books, including A War of Images: Russian Popular Prints, Wartime Culture, and National Identity, 1812-1945 (2008) and Blockbuster History in the New Russia: Movies, Memory, Patriotism (2012).
Mark D. Steinberg explores the work of individuals he recognizes as utopians during the most dramatic period in Russian and Soviet history. It has long been a cliché to argue that Russian revolutionary movements have been inspired by varieties of 'utopian dreaming' – claims which, although not wrong, are too often used uncritically. For the first time, Russian Utopian digs deeper and asks what utopians meant at the level of ideas, emotions, and lived experience.
Despite the fact that many would have resisted the 'utopian' label at the time because of its dismissive meanings, Steinberg's comprehensive approach sees him take in political leaders, intellectuals, writers, and artists (visual, material, and musical), as well as workers, peasants, soldiers, students and others. Ideologically, the figures discussed range from reactionaries to anarchists, nationalists (including non-Russians) to feminists, both religious believers and 'the militant godless'. This innovative text dissects the very notion of the Russian utopian and examines its significance in its various fascinating contexts.