9781350038516-1350038512-Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive (Photography, History: History, Photography)

Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive (Photography, History: History, Photography)

ISBN-13: 9781350038516
ISBN-10: 1350038512
Edition: 1
Author: Christina Riggs
Publication date: 2018
Publisher: Routledge
Format: Paperback 272 pages
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Book details

ISBN-13: 9781350038516
ISBN-10: 1350038512
Edition: 1
Author: Christina Riggs
Publication date: 2018
Publisher: Routledge
Format: Paperback 272 pages

Summary

Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive (Photography, History: History, Photography) (ISBN-13: 9781350038516 and ISBN-10: 1350038512), written by authors Christina Riggs, was published by Routledge in 2018. With an overall rating of 4.3 stars, it's a notable title among other Architectural (History, Photography & Video, Equipment, Techniques & Reference, Egypt, Ancient Civilizations History) books. You can easily purchase or rent Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive (Photography, History: History, Photography) (Paperback, Used) from BooksRun, along with many other new and used Architectural books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.82.

Description

They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field.

This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade 'ancient Egypt' in the waning age of colonial order.

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