Serious Fun: The Arty-tecture of Will Alsop (Architectural Design, Issue 5, September/October 2022, 92)

About the Author
Samantha Hardingham is an independent designer, writer, curator, and scholar in the field of experimental architectural practice. Publications include several editions of London: a guide to recent architecture that launched the innovative ellipsis guide book series in 1994, and, on the work of architect Cedric Price (1934-2003), the most notable being a ten-year research project that became the two-volume Cedric Price Works 1954 – 2003: a forward minded-retrospective (AA/CCA, 2016). Samantha studied and later led a design unit at the Architectural Association for ten years, and was the school’s Interim Director 2017-18. She is associate creative director of Theseus Agency and combines writing, teaching and design practice with a particular interest in experiential event-spaces.
Guest-edited by Samantha Hardingham
This issue of AD celebrates the extraordinary life and work of British architect Will Alsop (1947–2018) – a career and portfolio that is both literally and metaphorically steeped in colour. Characterised as a maverickarchitect, Alsop was in truth an individualist who was all for the collective, and a non-conformist. His design aim was to replace ‘a little misery in the world with a little joy and delight’. Far from diminutive in ambition, many of his built projects caused big shifts in thinking about ways for citizens to perceive, occupy and enjoy their cities. He believed deeply in the active participation of clients to explore their architectural ideas, involving them in workshops and the making of films to help them to see and better understand what design could positively do for them. His buildings and artworks are as contentious as they have been highly acclaimed, but never fail to amaze and inspire. His continuous engagement in teaching, lecturing and exhibiting throughout his career, with academic posts held in the UK, Germany, Austria, Australia and the US, meant he always remained in touch and was a consistent source of encouragement to new generations of architects entering the profession. This AD aims to harness that creative energy, commitment and camaraderie.
Contributors: Ollie Alsop, Thomas Aquilina, Nigel Coates, Peter Cook, Paul Finch, Mark Garcia, Clare Hamman, John Lyall, Bruce McLean, Will McLean, Kester Rattenbury, Marcos Rosello, and Neil Thomas.
From the Back Cover
Guest-edited by Samantha Hardingham
This issue of AD celebrates the extraordinary life and work of British architect Will Alsop (1947–2018) – a career and portfolio that is both literally and metaphorically steeped in colour. Characterised as a maverick architect, Alsop was in truth an individualist who was all for the collective, and a non-conformist. His design aim was to replace ‘a little misery in the world with a little joy and delight’. Far from diminutive in ambition, many of his built projects caused big shifts in thinking about ways for citizens to perceive, occupy and enjoy their cities. He believed deeply in the active participation of clients to explore their architectural ideas, involving them in workshops and the making of films to help them to see and better understand what design could positively do for them. His buildings and artworks are as contentious as they have been highly acclaimed, but never fail to amaze and inspire. His continuous engagement in teaching, lecturing and exhibiting throughout his career, with academic posts held in the UK, Germany, Austria, Australia and the US, meant he always remained in touch and was a consistent source of encouragement to new generations of architects entering the profession. This AD aims to harness that creative energy, commitment and camaraderie.
Contributors: Ollie Alsop, Thomas Aquilina, Nigel Coates, Peter Cook, Paul Finch, Mark Garcia, Clare Hamman, John Lyall, Bruce McLean, Will McLean, Kester Rattenbury, Marcos Rosello, and Neil Thomas.