9781108707435-1108707432-Literary Value and Social Identity in The Canterbury Tales (Cambridge Studies in Medieval Literature, Series Number 108)

Literary Value and Social Identity in The Canterbury Tales (Cambridge Studies in Medieval Literature, Series Number 108)

ISBN-13: 9781108707435
ISBN-10: 1108707432
Author: Robert J Meyer-Lee
Publication date: 2021
Publisher: Cambridge University Press
Format: Paperback 298 pages
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ISBN-13: 9781108707435
ISBN-10: 1108707432
Author: Robert J Meyer-Lee
Publication date: 2021
Publisher: Cambridge University Press
Format: Paperback 298 pages

Summary

Literary Value and Social Identity in The Canterbury Tales (Cambridge Studies in Medieval Literature, Series Number 108) (ISBN-13: 9781108707435 and ISBN-10: 1108707432), written by authors Robert J Meyer-Lee, was published by Cambridge University Press in 2021. With an overall rating of 4.0 stars, it's a notable title among other books. You can easily purchase or rent Literary Value and Social Identity in The Canterbury Tales (Cambridge Studies in Medieval Literature, Series Number 108) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Literary authors, especially those with other occupations, must come to grips with the question of why they should write at all, when the world urges them to devote their time and energy to other pursuits. They must reach, at the very least, a provisional conclusion regarding the relation between the uncertain value of their literary efforts and the more immediate values of their non-authorial social identities. Geoffrey Chaucer, with his several middle-strata identities, grappled with this question in a remarkably searching, complex manner. In this book, Robert J. Meyer-Lee examines the multiform, dynamic meditation on the relation between literary value and social identity that Chaucer stitched into the heart of The Canterbury Tales. He traces the unfolding of this meditation through what he shows to be the tightly linked performances of Clerk, Merchant, Franklin and Squire, offering the first full-scale reading of this sequence.

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