9781108428842-1108428843-The Art of Sculpture in Fifteenth-Century Italy

The Art of Sculpture in Fifteenth-Century Italy

ISBN-13: 9781108428842
ISBN-10: 1108428843
Author: Amy R. Bloch, Daniel M Zolli
Publication date: 2020
Publisher: Cambridge University Press
Format: Hardcover 454 pages
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Book details

ISBN-13: 9781108428842
ISBN-10: 1108428843
Author: Amy R. Bloch, Daniel M Zolli
Publication date: 2020
Publisher: Cambridge University Press
Format: Hardcover 454 pages

Summary

The Art of Sculpture in Fifteenth-Century Italy (ISBN-13: 9781108428842 and ISBN-10: 1108428843), written by authors Amy R. Bloch, Daniel M Zolli, was published by Cambridge University Press in 2020. With an overall rating of 3.5 stars, it's a notable title among other History (Arts History & Criticism, Appreciation, Sculpture) books. You can easily purchase or rent The Art of Sculpture in Fifteenth-Century Italy (Hardcover) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.

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