9781107104235-1107104238-Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (Classics after Antiquity)

Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (Classics after Antiquity)

ISBN-13: 9781107104235
ISBN-10: 1107104238
Author: Constanze Güthenke
Publication date: 2020
Publisher: Cambridge University Press
Format: Hardcover 238 pages
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ISBN-13: 9781107104235
ISBN-10: 1107104238
Author: Constanze Güthenke
Publication date: 2020
Publisher: Cambridge University Press
Format: Hardcover 238 pages

Summary

Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (Classics after Antiquity) (ISBN-13: 9781107104235 and ISBN-10: 1107104238), written by authors Constanze Güthenke, was published by Cambridge University Press in 2020. With an overall rating of 4.0 stars, it's a notable title among other Ancient Civilizations History books. You can easily purchase or rent Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (Classics after Antiquity) (Hardcover) from BooksRun, along with many other new and used Ancient Civilizations History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Nineteenth-century German classical philology underpins many structures of the modern humanities. In this book, Constanze Güthenke shows how a language of love and a longing for closeness with a personified antiquity have lastingly shaped modern professional reading habits, notions of biography, and the self-image of scholars and teachers. She argues that a discourse of love was instrumental in expressing the challenges of specialisation and individual formation (Bildung), and in particular for the key importance of a Platonic scene of learning and instruction for imagining the modern scholar. The book is based on detailed readings of programmatic texts from, among others, Wolf, Schleiermacher, Boeckh, Thiersch, Dilthey, Wilamowitz and Nietzsche. It makes a case for revising established narratives, but also for finding new value in imagining distance and an absence of nostalgic longing for antiquity.

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