9781032067155-1032067152-Collaborative Spirit-Writing and Performance in Everyday Black Lives (Qualitative Inquiry and Social Justice)

Collaborative Spirit-Writing and Performance in Everyday Black Lives (Qualitative Inquiry and Social Justice)

ISBN-13: 9781032067155
ISBN-10: 1032067152
Edition: 1
Author: Mary E. Weems, Bryant Keith Alexander
Publication date: 2021
Publisher: Routledge
Format: Paperback 166 pages
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Book details

ISBN-13: 9781032067155
ISBN-10: 1032067152
Edition: 1
Author: Mary E. Weems, Bryant Keith Alexander
Publication date: 2021
Publisher: Routledge
Format: Paperback 166 pages

Summary

Collaborative Spirit-Writing and Performance in Everyday Black Lives (Qualitative Inquiry and Social Justice) (ISBN-13: 9781032067155 and ISBN-10: 1032067152), written by authors Mary E. Weems, Bryant Keith Alexander, was published by Routledge in 2021. With an overall rating of 4.4 stars, it's a notable title among other Research (Psychology & Counseling, Research, Psychology, Research, Social Sciences) books. You can easily purchase or rent Collaborative Spirit-Writing and Performance in Everyday Black Lives (Qualitative Inquiry and Social Justice) (Paperback, Used) from BooksRun, along with many other new and used Research books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.75.

Description

Collaborative Spirit-Writing and Performance in Everyday Black Lives is about the interconnectedness between collaboration, spirit, and writing. It is also about a dialogic engagement that draws upon shared lived experiences, hopes, and fears of two Black persons: male/female, straight/gay.
This book is structured around a series of textual performances, poems, plays, dialogues, calls and responses, and mediations that serve as claim, ground, warrant, qualifier, rebuttal, and backing in an argument about collaborative spirit-writing for social justice. Each entry provides evidence of encounters of possibility, collated between the authors, for ourselves, for readers, and society from a standpoint of individual and collective struggle. The entries in this Black performance diary are at times independent and interdependent, interspliced and interrogative, interanimating and interstitial. They build arguments about collaboration but always emanate from a place of discontent in a caste system, designed through slavery and maintained until today, that positions Black people in relation to white superiority, terror, and perpetual struggle.
With particular emphasis on the confluence of Race, Racism, Antiracism, Black Lives Matter, the Trump administration, and the Coronavirus pandemic, this book will appeal to students and scholars in Race studies, performance studies, and those who practice qualitative methods as a new way of seeking Black social justice.

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