9780998207537-0998207535-Sara Greenberger Rafferty: Gloves Off (Samuel Dorsky Museum of Art)

Sara Greenberger Rafferty: Gloves Off (Samuel Dorsky Museum of Art)

ISBN-13: 9780998207537
ISBN-10: 0998207535
Author: Samuel Dorsky Museum of Art, Jonathan Thomas, Andrew Ingall, Corinna Ripps Schaming, Jeanne Finley
Publication date: 2017
Publisher: Distribution Partners
Format: Paperback 83 pages
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Book details

ISBN-13: 9780998207537
ISBN-10: 0998207535
Author: Samuel Dorsky Museum of Art, Jonathan Thomas, Andrew Ingall, Corinna Ripps Schaming, Jeanne Finley
Publication date: 2017
Publisher: Distribution Partners
Format: Paperback 83 pages

Summary

Sara Greenberger Rafferty: Gloves Off (Samuel Dorsky Museum of Art) (ISBN-13: 9780998207537 and ISBN-10: 0998207535), written by authors Samuel Dorsky Museum of Art, Jonathan Thomas, Andrew Ingall, Corinna Ripps Schaming, Jeanne Finley, was published by Distribution Partners in 2017. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent Sara Greenberger Rafferty: Gloves Off (Samuel Dorsky Museum of Art) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Presents recent work by the Brooklyn-based artist known for unsettling works that contend with such topics as domesticity, the body, consumer culture, fashion, and violence.The boxing term “gloves off”―frequently used as a metaphor to characterize brutal political campaigns and post-9/11 military interrogation―aptly describes the subtle aggressions in American popular culture that Sara Greenberger Rafferty lays bare. Blurring the lines between two and three dimensions, Rafferty attaches her wall-mounted works using custom-painted screws that break up the images. She also deploys cracked paint resembling viscous bodily fluids, further “wounding” the objects. Over the past decade, Rafferty has referenced the language, gestures, and props associated with stand-up comedy. This exhibition includes a new large-scale work entitled “Jokes on You,” featuring images of ephemera from the collections of the National Museum of American History, which was part of Rafferty’s study during her Smithsonian Artist Research Fellowship. Index cards from the Phyllis Diller “Gag File,” scanned and recontextualized by Rafferty, underscore the trauma associated with cultural mores that assert control over women’s bodies, such as marriage and consumerism.
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