9780986651106-0986651109-Color Creates Light: Studies with Hans Hofmann

Color Creates Light: Studies with Hans Hofmann

ISBN-13: 9780986651106
ISBN-10: 0986651109
Edition: First Edition
Author: Tina Dickey
Publication date: 2011
Publisher: TRILLISTAR INTERARTS, INC.
Format: Hardcover 424 pages
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Book details

ISBN-13: 9780986651106
ISBN-10: 0986651109
Edition: First Edition
Author: Tina Dickey
Publication date: 2011
Publisher: TRILLISTAR INTERARTS, INC.
Format: Hardcover 424 pages

Summary

Color Creates Light: Studies with Hans Hofmann (ISBN-13: 9780986651106 and ISBN-10: 0986651109), written by authors Tina Dickey, was published by TRILLISTAR INTERARTS, INC. in 2011. With an overall rating of 4.4 stars, it's a notable title among other History (Arts History & Criticism) books. You can easily purchase or rent Color Creates Light: Studies with Hans Hofmann (Hardcover) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $10.84.

Description

Color Creates Light: Studies with Hans Hofmann brings together the man, the schools, the painting, the ideas, and the teaching. Jed Perl of The New Republic calls this book "enormously important... nothing less than the missing chapter in the history of the period," for Hofmann's decade of painting in Paris prior to World War I, combined with his observations of the masters of all cultures, enabled him to explain Cubism to the avant-garde and catalyzed the later Abstract Expressionism.

In the ateliers of German emigrant Hans Hofmann (1880-1966) in Munich, New York and Provincetown, talented students later to become some of the most significant artists and educators of the time rubbed shoulders with critics, collectors, and curators, who in turn transmitted and transmuted Hofmann s ideas across Europe, America, Canada, and beyond. From how Hofmann taught to what he taught, artists talk shop about the inner workings of the visual language, required reading for those engaged in creative composition, whether visual, verbal, musical, architectural, cinematic, or choreographic.

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