9780934211369-0934211361-Crowning Anguish: Memoirs of a Persian Princess from the Harem to Modernity 1884-1914

Crowning Anguish: Memoirs of a Persian Princess from the Harem to Modernity 1884-1914

ISBN-13: 9780934211369
ISBN-10: 0934211361
Edition: Edition Unstated
Author: Abbas Amanat, Taj Al-Saltanah
Publication date: 2003
Publisher: Mage Pub
Format: Paperback 244 pages
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Book details

ISBN-13: 9780934211369
ISBN-10: 0934211361
Edition: Edition Unstated
Author: Abbas Amanat, Taj Al-Saltanah
Publication date: 2003
Publisher: Mage Pub
Format: Paperback 244 pages

Summary

Crowning Anguish: Memoirs of a Persian Princess from the Harem to Modernity 1884-1914 (ISBN-13: 9780934211369 and ISBN-10: 0934211361), written by authors Abbas Amanat, Taj Al-Saltanah, was published by Mage Pub in 2003. With an overall rating of 4.5 stars, it's a notable title among other Women (Specific Groups, United States, Historical, Africa, Middle East, Royalty, Leaders & Notable People, Cultural & Regional) books. You can easily purchase or rent Crowning Anguish: Memoirs of a Persian Princess from the Harem to Modernity 1884-1914 (Paperback) from BooksRun, along with many other new and used Women books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.52.

Description

The life of Taj al-Saltana, daughter of the ruler of Iran, Naser al-Din Shah Qajar, epitomized the predicaments of her changing era. Overcoming her limited edu-cation within the harem walls, Taj chronicled a thirty-year span in the life of a generation that witnessed a shift from traditional order to revolutionary flux. It is as though she had chosen this moment to recall her personal history--a tale filled with "wonder and anguish"--in order to record a cultural and political leap, symbolic of her time, from the indulgent, sheltered, and often petty world of her father's harem to the puzzling and exposed, yet emotionally and intellectually challenging world of a new Iran. Now almost one hundred years later Taj's memoirs are relevant and qualify her not only as a feminist by her society's standards but also in comparison with feminists of her generation in Europe and America. Beyond her fascination for the material glamors of the West at the turn of the twentieth century--fashion, architecture, furniture, the motorcar--she was also influenced by Western cul-ture's painting, music, history, literature and language. And yet throughout this time she kept her bond with her own literary and cultural heritage and what she calls her "Persianness."

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