9780916365646-0916365646-Thin Skin: The Fickle Nature Of Bubbles, Spheres, And Inflatable Structures (INDEPENDENT CUR)

Thin Skin: The Fickle Nature Of Bubbles, Spheres, And Inflatable Structures (INDEPENDENT CUR)

ISBN-13: 9780916365646
ISBN-10: 0916365646
Author: Carin Kuoni, Barbara Clausen
Publication date: 2002
Publisher: Independent Curators International (ICI)
Format: Paperback 84 pages
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Book details

ISBN-13: 9780916365646
ISBN-10: 0916365646
Author: Carin Kuoni, Barbara Clausen
Publication date: 2002
Publisher: Independent Curators International (ICI)
Format: Paperback 84 pages

Summary

Thin Skin: The Fickle Nature Of Bubbles, Spheres, And Inflatable Structures (INDEPENDENT CUR) (ISBN-13: 9780916365646 and ISBN-10: 0916365646), written by authors Carin Kuoni, Barbara Clausen, was published by Independent Curators International (ICI) in 2002. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Thin Skin: The Fickle Nature Of Bubbles, Spheres, And Inflatable Structures (INDEPENDENT CUR) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.6.

Description

Bubbles (and related forms) seem to be springing up everywhere lately in contemporary art. Thin Skin brings together some of the most interesting contemporary work involving malleable, inflatable materials, including pieces by James Lee Byars, Charles and Ray Eames, Olafur Eliasson, Tom Friedman, Piero Manzoni, Ernesto Neto, Pipilotti Rist, Miri Segal and Andy Warhol. Thin Skin identifies their current popularity as a function of two contemporary conditions: a new awareness of 'in-between' spaces, spaces neither real nor completely virtual, situations neither entirely in our control nor totally beyond it; and a new understanding of our own bodies as permeable sensors in constant osmotic exchange as they move through these spaces. An original and thought-provoking assessment of inflatables, Thin Skin proves that thinness and transparency are indeed the symbolic, and maybe even the real, skin that encase contemporary spaces and bodies.

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