9780893819361-0893819360-I am Not This Body: The Pinhole Photographs of Barbara Ess

I am Not This Body: The Pinhole Photographs of Barbara Ess

ISBN-13: 9780893819361
ISBN-10: 0893819360
Edition: 1
Author: Michael Cunningham, Thurston Moore, Guy Armstrong
Publication date: 2001
Publisher: Aperture
Format: Hardcover 96 pages
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Book details

ISBN-13: 9780893819361
ISBN-10: 0893819360
Edition: 1
Author: Michael Cunningham, Thurston Moore, Guy Armstrong
Publication date: 2001
Publisher: Aperture
Format: Hardcover 96 pages

Summary

I am Not This Body: The Pinhole Photographs of Barbara Ess (ISBN-13: 9780893819361 and ISBN-10: 0893819360), written by authors Michael Cunningham, Thurston Moore, Guy Armstrong, was published by Aperture in 2001. With an overall rating of 3.5 stars, it's a notable title among other Individual Artists (Individual Photographers, Photography & Video) books. You can easily purchase or rent I am Not This Body: The Pinhole Photographs of Barbara Ess (Hardcover) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $3.11.

Description

Barbara Ess makes subtly-toned photographs that are not so much reality as visionary versions of it. Blurry and distorted, they seem to coax their subjects from mysterious spaces. --Grace Glueck, The New York Times
“Ess' images often have a dreamy subterranean quality--part wonder and part menace--as if culled directly from the subconscious.”
--Gregory Volk, ARTnews
I Am Not This Body investigates primary, personal experience and relies upon the viewer's imagination and memories. Barbara Ess is renowned for her accomplished use of the pinhole camera and her effort to “photograph what cannot be photographed.” Ess' is a conscious quest to explore what she calls “ambiguous perceptual boundaries: between people, between the self and the not self, between in here and out there.” In her view, “reality... includes a perceiver, who has memories, thoughts, desires, emotions--[which] a normal camera tends to omit.” The strange and affecting images she coaxes from this primitive camera manage to evoke the sublime and the impossible, the textures of desire and loss.

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