From Picasso To Pollock: Modern Art from the Guggenheim Museum
ISBN-13:
9780892072989
ISBN-10:
0892072989
Author:
Matthew Drutt, Lisa Dennison, Ingrid Schaffner, Susan Cross, Daniel Abadie, J. Fiona Ragheb
Publication date:
2004
Publisher:
Guggenheim Museum Publications
Format:
Paperback
174 pages
FREE US shipping
Book details
ISBN-13:
9780892072989
ISBN-10:
0892072989
Author:
Matthew Drutt, Lisa Dennison, Ingrid Schaffner, Susan Cross, Daniel Abadie, J. Fiona Ragheb
Publication date:
2004
Publisher:
Guggenheim Museum Publications
Format:
Paperback
174 pages
Summary
From Picasso To Pollock: Modern Art from the Guggenheim Museum (ISBN-13: 9780892072989 and ISBN-10: 0892072989), written by authors
Matthew Drutt, Lisa Dennison, Ingrid Schaffner, Susan Cross, Daniel Abadie, J. Fiona Ragheb, was published by Guggenheim Museum Publications in 2004.
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Description
From Picasso to Pollock highlights the history of the aesthetic vanguard from early Modernism through Abstract Expressionism. With distinctive focus yet remarkable comprehensiveness, From Picasso to Pollock unites the major artists and developments of the first half of the twentieth century through significant examples of non-objective, Cubist, Surrealist, Expressionist and Abstract Expressionist painting and sculpture. A deep and broad assembly of masterpieces has been chosen from the Guggenheim's formative collection, and through it the viewer may perceive the era of Modern art emerging in all its diversity and complexity. Included here are reproductions of and short texts on seminal works by Brancusi, Braque, Chagall, de Kooning, Delaunay, Ernst, Fontana, Kandinsky, Klee, Léger, Malevich, Matisse, Miró, Modigliani, Mondrian, Popova and Schiele. Narrative biographies on a number of these artists are included, as well as a short, illustrated history of the collection by Lisa Dennison. From Picasso to Pollock is the second in a trilogy from the Guggenheim which highlights the greatest strengths of the museum's collection. The first title, Moving Pictures, showcased contemporary photography and video, and the third, Primary Forms, considered Minimalism, Conceptualism and their more contemporary progeny.
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