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The Literary Absolute: The Theory of Literature in German Romanticism (Intersections : Philosophy and Critical Theory) (English and French Edition)
ISBN-13:
9780887066603
ISBN-10:
0887066607
Author:
Jean-Luc Nancy, Philippe Lacoue-Labarthe
Publication date:
1988
Publisher:
State Univ of New York Pr
Format:
Hardcover
194 pages
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Book details
ISBN-13:
9780887066603
ISBN-10:
0887066607
Author:
Jean-Luc Nancy, Philippe Lacoue-Labarthe
Publication date:
1988
Publisher:
State Univ of New York Pr
Format:
Hardcover
194 pages
Summary
The Literary Absolute: The Theory of Literature in German Romanticism (Intersections : Philosophy and Critical Theory) (English and French Edition) (ISBN-13: 9780887066603 and ISBN-10: 0887066607), written by authors
Jean-Luc Nancy, Philippe Lacoue-Labarthe, was published by State Univ of New York Pr in 1988.
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Description
The first authoritative study of the emergence of the modern concept of literature in German romanticism.
The Literary Absolute is the first authoritative study of the emergence of the modern concept of literature in German romanticism. The authors trace this concept from the philosophical crisis bequeathed by Kant to his successors, to its development by the central figures of the Athenaeum group: the Schlegel brothers, Schelling, and Novalis.
This study situates the Jena romantics’ “fragmentary” model of literature―a model of literature as the production of its own theory―in relation to the development of a post-Kantian conception of philosophy as the total and reflective auto-production of the thinking subject. Analyzing key texts of the period, the authors articulate the characteristics of romantic thought and at the same time show historical and systematic connections with modern literary theory. Thus, The Literary Absolute renews contemporary scholarship, showing the romantic origins of some of the leading issues in current critical theory.
The Literary Absolute is the first authoritative study of the emergence of the modern concept of literature in German romanticism. The authors trace this concept from the philosophical crisis bequeathed by Kant to his successors, to its development by the central figures of the Athenaeum group: the Schlegel brothers, Schelling, and Novalis.
This study situates the Jena romantics’ “fragmentary” model of literature―a model of literature as the production of its own theory―in relation to the development of a post-Kantian conception of philosophy as the total and reflective auto-production of the thinking subject. Analyzing key texts of the period, the authors articulate the characteristics of romantic thought and at the same time show historical and systematic connections with modern literary theory. Thus, The Literary Absolute renews contemporary scholarship, showing the romantic origins of some of the leading issues in current critical theory.
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