9780854882632-0854882634-Mark Dion: Theatre of the Natural World

Mark Dion: Theatre of the Natural World

ISBN-13: 9780854882632
ISBN-10: 0854882634
Edition: Reprint
Author: Iwona Blazwick, Andrea Barrett, Gilda Williams, Ben Luke, Petra Lange-Berndt, Marion Endt-Jones, Chelsea Kinchin-Smith, Magnus Petersens, Candy Stobbs
Publication date: 2018
Publisher: Whitechapel Gallery
Format: Hardcover 232 pages
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Book details

ISBN-13: 9780854882632
ISBN-10: 0854882634
Edition: Reprint
Author: Iwona Blazwick, Andrea Barrett, Gilda Williams, Ben Luke, Petra Lange-Berndt, Marion Endt-Jones, Chelsea Kinchin-Smith, Magnus Petersens, Candy Stobbs
Publication date: 2018
Publisher: Whitechapel Gallery
Format: Hardcover 232 pages

Summary

Mark Dion: Theatre of the Natural World (ISBN-13: 9780854882632 and ISBN-10: 0854882634), written by authors Iwona Blazwick, Andrea Barrett, Gilda Williams, Ben Luke, Petra Lange-Berndt, Marion Endt-Jones, Chelsea Kinchin-Smith, Magnus Petersens, Candy Stobbs, was published by Whitechapel Gallery in 2018. With an overall rating of 4.4 stars, it's a notable title among other Monographs (Individual Artists, Arts Collections, History, Arts History & Criticism) books. You can easily purchase or rent Mark Dion: Theatre of the Natural World (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This publication focuses on five major works by the American conceptual artist Mark Dion (born 1961).

Since the late 1980s Dion has been delving into the tropes and research methods of scientists, explorers, museum curators and archaeologists. He has created a body of work that playfully presents art as scientific inquiry or field work, questioning how knowledge is gathered, classified and displayed.

The five installations documented here incorporate diverse subjects: a scholar’s study invites us to unravel intricate drawings and models; a curator’s office displays the strange magic of obsolete things; the muddy banks of the Thames have also yielded their treasures for poetic display in a gigantic cabinet; while a Dickensian Curiosity Shop tempts us with the bizarre aura of American bric-a-brac. Each immersive environment is also a habitat, evoking the characters that observe, conserve or exploit the natural world.

The catalogue features new short essays on each of the exhibited works, an interview between the artist and Iwona Blazwick and a reprint of a short story by National Book Award for Fiction winner Andrea Barrett.

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