9780851708454-0851708455-Global Hollywood

Global Hollywood

ISBN-13: 9780851708454
ISBN-10: 0851708455
Author: Toby Miller, Richard Maxwell, Nitin Govil, John McMurria
Publication date: 2001
Publisher: British Film Institute
Format: Paperback 240 pages
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Book details

ISBN-13: 9780851708454
ISBN-10: 0851708455
Author: Toby Miller, Richard Maxwell, Nitin Govil, John McMurria
Publication date: 2001
Publisher: British Film Institute
Format: Paperback 240 pages

Summary

Global Hollywood (ISBN-13: 9780851708454 and ISBN-10: 0851708455), written by authors Toby Miller, Richard Maxwell, Nitin Govil, John McMurria, was published by British Film Institute in 2001. With an overall rating of 4.4 stars, it's a notable title among other Communication & Media Studies (Social Sciences) books. You can easily purchase or rent Global Hollywood (Paperback) from BooksRun, along with many other new and used Communication & Media Studies books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.55.

Description

Why is Hollywood so successful? Overwhelming almost every other national cinema in its own back yard and virtually extinguishing foreign cinema in the multicultural United States, Hollywood seems everywhere all powerful. This book addresses the vacuum left by textual analysis in examining this success. Turning to political economy, cultural studies, and cultural policy analysis to highlight the material factors underlining this apparent artistic success, Global Hollywood considers such factors as the numerous hidden subsidies to the U.S. film industry and copyright limitations, which prevent the free flow of information. Most of all by relocating cultural production and through its relationship to world markets more generally, contemporary Hollywood has transformed itself to attain ever greater global clout and reach.
The authors also address the key areas of copyright, marketing, distribution, and exhibition that are cornerstones of the global industry apparatus. Challenging the simplicities of the cultural imperialist model and Hollywood's free market rhetoric, this book is the first academic study to retheorize the continued and expanding success of the Hollywood cinema factory.

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