9780826481856-082648185X-Keynotes and Discords (Late Victorian and Early Modernist Women Writers)

Keynotes and Discords (Late Victorian and Early Modernist Women Writers)

ISBN-13: 9780826481856
ISBN-10: 082648185X
Edition: 1
Author: Sally Ledger, George Egerton
Publication date: 2003
Publisher: Bloomsbury Academic
Format: Paperback 196 pages
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Book details

ISBN-13: 9780826481856
ISBN-10: 082648185X
Edition: 1
Author: Sally Ledger, George Egerton
Publication date: 2003
Publisher: Bloomsbury Academic
Format: Paperback 196 pages

Summary

Keynotes and Discords (Late Victorian and Early Modernist Women Writers) (ISBN-13: 9780826481856 and ISBN-10: 082648185X), written by authors Sally Ledger, George Egerton, was published by Bloomsbury Academic in 2003. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Keynotes and Discords (Late Victorian and Early Modernist Women Writers) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

George Egerton was the pen name of Mary Chavelita Dunne (1859-1945). She was the most substantial and striking of the women writers of the fin de siècle who developed the modern short story, with its focus on the 'psychological moment', its exploration of the interior landscapes of human experience, and its only sporadic commitment to a realist aesthetic. This volume contains her two best collections of short stories, Keynotes (1893) and Discords (1895).

An incipient modernism can clearly be identified in her stories: there is a recurrent focus on the inner consciousness of their female subjects, revealed through reverie or dream, or through intense moments of psychological and emotional connection. The stories are full of wanderers, and have the sense of dislocation characteristic of literary modernism; their compression and resistance to narrative closure confirm their alignment with the emergent aesthetic. Coupled with this aesthetic experimentation are explorations of female sexual desire, new gender identities and the pains and pleasures of maternity. Thirty years before Virginia Woolf's annunciation of modernism in the 1920s, when she presented this 'new' aesthetic movement as an abrupt break with a worn-out nineteenth-century realism. George Egerton had penetrated the emotional and psychological tragedies of apparently unexceptional women's lives and powerfully translated these tragedies into fiction. She forged a new way of expressing women's experience: her status as an important and compelling writer is indisputable.

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