9780826447005-0826447007-Guerilla Guide to the Music Business

Guerilla Guide to the Music Business

ISBN-13: 9780826447005
ISBN-10: 0826447007
Edition: 0
Author: Sarah Davis, Dave Laing
Publication date: 2001
Publisher: Bloomsbury Academic
Format: Paperback 448 pages
FREE US shipping

Book details

ISBN-13: 9780826447005
ISBN-10: 0826447007
Edition: 0
Author: Sarah Davis, Dave Laing
Publication date: 2001
Publisher: Bloomsbury Academic
Format: Paperback 448 pages

Summary

Guerilla Guide to the Music Business (ISBN-13: 9780826447005 and ISBN-10: 0826447007), written by authors Sarah Davis, Dave Laing, was published by Bloomsbury Academic in 2001. With an overall rating of 3.5 stars, it's a notable title among other books. You can easily purchase or rent Guerilla Guide to the Music Business (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.34.

Description

A companion to the successful "Guerilla Film Maker's Handbook", this book deals with every aspect of professional music making in today's popular music industry on both sides of the Atlantic. In creating music and developing a career, almost everyone starts out "independently", that is without the support of a large company. However, independent music making can be defined in a broad sense as a particular attitude towards creating and distribution of music held by professional people. The attitude involves a commitment to retaining control over your work as far as it is practically comaptible with getting it to the larget possible relevant audience. This does not necessarily mean that the independent musician does everything him or herself. One of the most important dimensions of the book will be the checklists of questions musicians need to ask themselves in order to decide whether they need outside help from a manager, lawyer, accountant, record company, music publisher, agent, press officer, plugger etc. The book is divided into six sections, each of which includes brief interviews with key experts. The first two deal with the main areas of musical activity - live performance and recording. Section three explains other aspects of musical activity while section four gets down to the nitty-gritty of the business aspects of making music. Section five summarizes the whole area through some well-chosen real life examples of independent musical activity. Finally, a toolkit section will provide examples of key documents (recording contracts, PRS membership agreements, etc) and other relevant data.

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book