9780826419248-0826419240-Guns N Roses' Use Your Illusion I And II (33 1/3)

Guns N Roses' Use Your Illusion I And II (33 1/3)

ISBN-13: 9780826419248
ISBN-10: 0826419240
Edition: 1
Author: Eric Weisbard
Publication date: 2006
Publisher: Continuum
Format: Paperback 136 pages
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Book details

ISBN-13: 9780826419248
ISBN-10: 0826419240
Edition: 1
Author: Eric Weisbard
Publication date: 2006
Publisher: Continuum
Format: Paperback 136 pages

Summary

Guns N Roses' Use Your Illusion I And II (33 1/3) (ISBN-13: 9780826419248 and ISBN-10: 0826419240), written by authors Eric Weisbard, was published by Continuum in 2006. With an overall rating of 4.0 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent Guns N Roses' Use Your Illusion I And II (33 1/3) (Paperback) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.31.

Description

It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the attention of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N Roses. Their albums Use Your Illusion 1 and 2, released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance.



On one level, it worked. The albums claimed the top two chart positions, and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow up in fifteen years. It signaled the end of Guns N Roses, of heavy metal on the Sunset Strip, and the entire 1980s model of blockbuster pop/rock promotion. Use Your Illusion marked the end of rock as mass culture.

In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.

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