9780822361367-0822361361-My Life with Things: The Consumer Diaries

My Life with Things: The Consumer Diaries

ISBN-13: 9780822361367
ISBN-10: 0822361361
Author: Elizabeth Chin
Publication date: 2016
Publisher: Duke University Press Books
Format: Paperback 248 pages
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Book details

ISBN-13: 9780822361367
ISBN-10: 0822361361
Author: Elizabeth Chin
Publication date: 2016
Publisher: Duke University Press Books
Format: Paperback 248 pages

Summary

My Life with Things: The Consumer Diaries (ISBN-13: 9780822361367 and ISBN-10: 0822361361), written by authors Elizabeth Chin, was published by Duke University Press Books in 2016. With an overall rating of 4.1 stars, it's a notable title among other Social Scientists & Psychologists (Professionals & Academics, Consumer Behavior, Marketing & Sales, Cultural, Anthropology) books. You can easily purchase or rent My Life with Things: The Consumer Diaries (Paperback) from BooksRun, along with many other new and used Social Scientists & Psychologists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.28.

Description

Unconventional and provocative, My Life with Things is Elizabeth Chin's meditation on her relationship with consumer goods and a critical statement on the politics and method of anthropology. Chin centers the book on diary entries that focus on everyday items—kitchen cabinet knobs, shoes, a piano—and uses them to intimately examine the ways consumption resonates with personal and social meaning: from writing love haikus about her favorite nail polish and discussing the racial implications of her tooth cap, to revealing how she used shopping to cope with a miscarriage and contemplating how her young daughter came to think that she needed Lunesta. Throughout, Chin keeps Karl Marx and his family's relationship to their possessions in mind, drawing parallels between Marx's napkins, the production of late nineteenth-century table linens, and Chin's own vintage linen collection. Unflinchingly and refreshingly honest, Chin unlocks the complexities of her attachments to, reliance on, and complicated relationships with her things. In so doing, she prompts readers to reconsider their own consumption, as well as their assumptions about the possibilities for creative scholarship.

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