9780822356202-0822356201-The Black Body in Ecstasy: Reading Race, Reading Pornography (Next Wave: New Directions in Women's Studies)

The Black Body in Ecstasy: Reading Race, Reading Pornography (Next Wave: New Directions in Women's Studies)

ISBN-13: 9780822356202
ISBN-10: 0822356201
Edition: Illustrated
Author: Jennifer C. Nash
Publication date: 2014
Publisher: Duke University Press Books
Format: Paperback 240 pages
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Book details

ISBN-13: 9780822356202
ISBN-10: 0822356201
Edition: Illustrated
Author: Jennifer C. Nash
Publication date: 2014
Publisher: Duke University Press Books
Format: Paperback 240 pages

Summary

The Black Body in Ecstasy: Reading Race, Reading Pornography (Next Wave: New Directions in Women's Studies) (ISBN-13: 9780822356202 and ISBN-10: 0822356201), written by authors Jennifer C. Nash, was published by Duke University Press Books in 2014. With an overall rating of 3.7 stars, it's a notable title among other books. You can easily purchase or rent The Black Body in Ecstasy: Reading Race, Reading Pornography (Next Wave: New Directions in Women's Studies) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.44.

Description

In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.

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