9780822347781-0822347784-I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays

I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays

ISBN-13: 9780822347781
ISBN-10: 0822347784
Author: Sonia Sanchez, Jacqueline Wood
Publication date: 2010
Publisher: Duke University Press Books
Format: Paperback 196 pages
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Book details

ISBN-13: 9780822347781
ISBN-10: 0822347784
Author: Sonia Sanchez, Jacqueline Wood
Publication date: 2010
Publisher: Duke University Press Books
Format: Paperback 196 pages

Summary

I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays (ISBN-13: 9780822347781 and ISBN-10: 0822347784), written by authors Sonia Sanchez, Jacqueline Wood, was published by Duke University Press Books in 2010. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.66.

Description

Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.

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