9780820324401-082032440X-Man in the Landscape: A Historic View of the Esthetics of Nature

Man in the Landscape: A Historic View of the Esthetics of Nature

ISBN-13: 9780820324401
ISBN-10: 082032440X
Edition: Reprint
Author: Paul Shepard
Publication date: 2002
Publisher: University of Georgia Press
Format: Paperback 344 pages
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Book details

ISBN-13: 9780820324401
ISBN-10: 082032440X
Edition: Reprint
Author: Paul Shepard
Publication date: 2002
Publisher: University of Georgia Press
Format: Paperback 344 pages

Summary

Man in the Landscape: A Historic View of the Esthetics of Nature (ISBN-13: 9780820324401 and ISBN-10: 082032440X), written by authors Paul Shepard, was published by University of Georgia Press in 2002. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Man in the Landscape: A Historic View of the Esthetics of Nature (Paperback, Used) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.46.

Description

A pioneering exploration of the roots of our attitudes toward nature, Paul Shepard's most seminal work is as challenging and provocative today as when it first appeared in 1967. Man in the Landscape was among the first books of a new genre that has elucidated the ideas, beliefs, and images that lie behind our modern destruction and conservation of the natural world.

Departing from the traditional study of land use as a history of technology, this book explores the emergence of modern attitudes in literature, art, and architecture―their evolutionary past and their taproot in European and Mediterranean cultures. With humor and wit, Shepard considers the influence of Christianity on ideas of nature, the absence of an ethic of nature in modern philosophy, and the obsessive themes of dominance and control as elements of the modern mind. In his discussions of the exploration of the American West, the establishment of the first national parks, and the reactions of pioneers to their totally new habitat, he identifies the transport of traditional imagery into new places as a sort of cultural baggage.

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