9780819563132-0819563137-I–VI: MethodStructureIntentionDisciplineNotationIndeterminacyInterpenetrationImitationDevotionCircumstancesVariableStructureNonunderstandingContingencyInconsistencyPerformance

I–VI: MethodStructureIntentionDisciplineNotationIndeterminacyInterpenetrationImitationDevotionCircumstancesVariableStructureNonunderstandingContingencyInconsistencyPerformance

ISBN-13: 9780819563132
ISBN-10: 0819563137
Author: John Cage
Publication date: 1997
Publisher: Wesleyan University Press
Format: Paperback 464 pages
Category: Music
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Book details

ISBN-13: 9780819563132
ISBN-10: 0819563137
Author: John Cage
Publication date: 1997
Publisher: Wesleyan University Press
Format: Paperback 464 pages
Category: Music

Summary

I–VI: MethodStructureIntentionDisciplineNotationIndeterminacyInterpenetrationImitationDevotionCircumstancesVariableStructureNonunderstandingContingencyInconsistencyPerformance (ISBN-13: 9780819563132 and ISBN-10: 0819563137), written by authors John Cage, was published by Wesleyan University Press in 1997. With an overall rating of 3.5 stars, it's a notable title among other Music books. You can easily purchase or rent I–VI: MethodStructureIntentionDisciplineNotationIndeterminacyInterpenetrationImitationDevotionCircumstancesVariableStructureNonunderstandingContingencyInconsistencyPerformance (Paperback) from BooksRun, along with many other new and used Music books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Dazzling innovation in a work by one of America's most important and controversial composers.

"In the nature of the use of chance operations is the belief that all answers answer all questions," John Cage writes in this edition of his contribution to Harvard's prestigious Norton Lecture Series in 1988-89. More like performances than lectures, these six mesostics -- a complex horizontal arrangement of text to form vertical letter sequences that spell out key words -- illustrated for his audience the concept of "nonintention," a kind of meticulously choreographed anarchy in which choice and chance join to redefine the concepts of meaning and meaningfulness.

Drawing text from Thoreau, Wittgenstein, Joyce, McCluhan, and daily newspapers, Cage used a computer program to combine seemingly disparate lines into a whole that explored fifteen central aspects of his compositional credo. This edition includes the mesostics, transcriptions, and a CD recording of the question-and-answer sessions that followed and of Cage reading in a sonorous baritone that infuses the mesostic with life, depth, and musicality. The aesthetic integrity and artistic growth that have characterized Cage's half century of production are nowhere more clearly evident than in this tour de force.

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