9780816640218-0816640211-Neuropolitics: Thinking, Culture, Speed (Volume 23) (Theory Out Of Bounds)

Neuropolitics: Thinking, Culture, Speed (Volume 23) (Theory Out Of Bounds)

ISBN-13: 9780816640218
ISBN-10: 0816640211
Edition: First Edition
Author: William E. Connolly
Publication date: 2002
Publisher: Univ Of Minnesota Press
Format: Hardcover 240 pages
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Book details

ISBN-13: 9780816640218
ISBN-10: 0816640211
Edition: First Edition
Author: William E. Connolly
Publication date: 2002
Publisher: Univ Of Minnesota Press
Format: Hardcover 240 pages

Summary

Neuropolitics: Thinking, Culture, Speed (Volume 23) (Theory Out Of Bounds) (ISBN-13: 9780816640218 and ISBN-10: 0816640211), written by authors William E. Connolly, was published by Univ Of Minnesota Press in 2002. With an overall rating of 3.5 stars, it's a notable title among other Political Science (Politics & Government) books. You can easily purchase or rent Neuropolitics: Thinking, Culture, Speed (Volume 23) (Theory Out Of Bounds) (Hardcover) from BooksRun, along with many other new and used Political Science books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.36.

Description

Why would a political theorist venture into the nexus between neuroscience and film? According to William Connolly-whose new book is itself an eloquent answer-the combination exposes the ubiquitous role that technique plays in thinking, ethics, and politics. By taking up recent research in neuroscience to explore the way brain activity is influenced by cultural conditions and stimuli such as film technique, Connolly is able to fashion a new perspective on our attempts to negotiate-and thrive-within a deeply pluralized society whose culture and economy continue to quicken. In Neuropolitics Connolly draws upon recent brain/body research to explore the creative potential of thinking, the layered character of culture, the cultivation of ethical sensibilities, and the critical role of technique in all three. He then shows how a series of films-including Vertigo, Five Easy Pieces, and Citizen Kane-enhances our appreciation of technique and contests the linear image of time now prevalent in cultural theory. Connolly deftly brings these themes together to support an ethos of deep pluralism within the democratic state and a politics of citizen activism across states. His book is an original and rigorous study that attends to the creative possibilities of thinking in identity, culture, and ethics.
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