9780816526475-0816526478-Chicana and Chicano Art: ProtestArte (The Mexican American Experience)

Chicana and Chicano Art: ProtestArte (The Mexican American Experience)

ISBN-13: 9780816526475
ISBN-10: 0816526478
Edition: Illustrated
Author: Carlos Francisco Jackson
Publication date: 2009
Publisher: University of Arizona Press
Format: Paperback 256 pages
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Book details

ISBN-13: 9780816526475
ISBN-10: 0816526478
Edition: Illustrated
Author: Carlos Francisco Jackson
Publication date: 2009
Publisher: University of Arizona Press
Format: Paperback 256 pages

Summary

Chicana and Chicano Art: ProtestArte (The Mexican American Experience) (ISBN-13: 9780816526475 and ISBN-10: 0816526478), written by authors Carlos Francisco Jackson, was published by University of Arizona Press in 2009. With an overall rating of 3.8 stars, it's a notable title among other Criticism (Arts History & Criticism, History, Systems & Planning, Management & Leadership, Customer Relations, Processes & Infrastructure, Art, Encyclopedias & Subject Guides) books. You can easily purchase or rent Chicana and Chicano Art: ProtestArte (The Mexican American Experience) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.52.

Description

This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement and its leading artists, themes, current directions, and cultural impacts.

Although the word “Chicano” once held negative connotations, students—along with civil rights activists and artists—adopted it in the late 1960s in order to reimagine and redefine what it meant to be Mexican American in the United States. Chicanismo is the ideology and spirit behind the Chicano Movement and Chicanismo unites the artists whose work is revealed and celebrated in this book.

Jackson’s scope is wide. He includes paintings, prints, murals, altars, sculptures, and photographs—and, of course, the artists who created them. Beginning with key influences, he describes the importance of poster and mural art, focusing on the work of the Mexican artist José Guadalupe Posada and the significance of Mexican and Cuban talleres (print workshops). He examines the importance of art collectives in the United States, as well as Chicano talleres and community art centers, for the growth of the Chicano art movement. In conclusion, he considers how Chicano art has been presented to the general American public.

As Jackson shows, the visual arts have both reflected and created Chicano culture in the United States. For college students—and for all readers who want to learn more about this fascinating subject—his book is an ideal introduction to an art movement with a social conscience.

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