9780814774465-0814774466-Fifteenth-Century Persian Painting: Problems and Issues (Hagop Kevorkian Series NE Art)

Fifteenth-Century Persian Painting: Problems and Issues (Hagop Kevorkian Series NE Art)

ISBN-13: 9780814774465
ISBN-10: 0814774466
Author: B. W. Robinson
Publication date: 1993
Publisher: New York University Press
Format: Paperback 106 pages
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Book details

ISBN-13: 9780814774465
ISBN-10: 0814774466
Author: B. W. Robinson
Publication date: 1993
Publisher: New York University Press
Format: Paperback 106 pages

Summary

Fifteenth-Century Persian Painting: Problems and Issues (Hagop Kevorkian Series NE Art) (ISBN-13: 9780814774465 and ISBN-10: 0814774466), written by authors B. W. Robinson, was published by New York University Press in 1993. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Fifteenth-Century Persian Painting: Problems and Issues (Hagop Kevorkian Series NE Art) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.54.

Description

In this book, B.W. Robinson traces the development of the different styles of Persian painting during the fifteenth century, and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period.

Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century, and then proceeds to tackle in order the three main fields of controversy: painting under the Turkmans, Timurid paintings in Transoxiana and Timurid painting in India.

The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development, and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now, which he identifies as originating in Transoxiana. Finally he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.

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