9780814329467-0814329462-A House Made of Light: Essays on the Art of Film (Contemporary Approaches to Film and Media Studies)

A House Made of Light: Essays on the Art of Film (Contemporary Approaches to Film and Media Studies)

ISBN-13: 9780814329467
ISBN-10: 0814329462
Edition: Illustrated
Author: George Toles
Publication date: 2001
Publisher: Wayne State University Press
Format: Paperback 363 pages
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Book details

ISBN-13: 9780814329467
ISBN-10: 0814329462
Edition: Illustrated
Author: George Toles
Publication date: 2001
Publisher: Wayne State University Press
Format: Paperback 363 pages

Summary

A House Made of Light: Essays on the Art of Film (Contemporary Approaches to Film and Media Studies) (ISBN-13: 9780814329467 and ISBN-10: 0814329462), written by authors George Toles, was published by Wayne State University Press in 2001. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent A House Made of Light: Essays on the Art of Film (Contemporary Approaches to Film and Media Studies) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

When the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine.

In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to the Coen brothers to Alfred Hitchcock.

However escapist a trip to the movies might be, says Toles, there is no escaping some version of "home" in every film experience. Toles examines important homes-from the cottage in Random Harvest to the foreboding Bates house in Psycho-to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings. As film study marks a return to art-centered criticism, A House Made of Light breaks new ground in its assessment of the creation-and enjoyment-of movies.

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