9780813543406-0813543401-Screening Genders: The American Science Fiction Film (Rutgers Depth of Field Series)

Screening Genders: The American Science Fiction Film (Rutgers Depth of Field Series)

ISBN-13: 9780813543406
ISBN-10: 0813543401
Edition: None
Author: William Luhr, Krin Gabbard
Publication date: 2008
Publisher: Rutgers University Press
Format: Paperback 195 pages
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Book details

ISBN-13: 9780813543406
ISBN-10: 0813543401
Edition: None
Author: William Luhr, Krin Gabbard
Publication date: 2008
Publisher: Rutgers University Press
Format: Paperback 195 pages

Summary

Screening Genders: The American Science Fiction Film (Rutgers Depth of Field Series) (ISBN-13: 9780813543406 and ISBN-10: 0813543401), written by authors William Luhr, Krin Gabbard, was published by Rutgers University Press in 2008. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent Screening Genders: The American Science Fiction Film (Rutgers Depth of Field Series) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.35.

Description

Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between."

The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large.

The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.

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