9780811228114-0811228118-Condition of Secrecy

Condition of Secrecy

ISBN-13: 9780811228114
ISBN-10: 0811228118
Edition: First Edition
Author: Inger Christensen
Publication date: 2018
Publisher: New Directions
Format: Paperback 160 pages
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Book details

ISBN-13: 9780811228114
ISBN-10: 0811228118
Edition: First Edition
Author: Inger Christensen
Publication date: 2018
Publisher: New Directions
Format: Paperback 160 pages

Summary

Condition of Secrecy (ISBN-13: 9780811228114 and ISBN-10: 0811228118), written by authors Inger Christensen, was published by New Directions in 2018. With an overall rating of 3.5 stars, it's a notable title among other books. You can easily purchase or rent Condition of Secrecy (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

For the first time available in English, a selection of some of Inger Christensen’s most insightful essays and poetic prose pieces

The Condition of Secrecy is a poignant collection of essays by Inger Christensen, widely regarded as one of the most influential Scandinavian writers of the twentieth century. As The New York Times proclaimed, “Despite the rigorous structure that undergirds her work―or more likely, because of it―Ms. Christensen’s style is lyrical, even playful.” The same could be said of Christensen’s essays. Here, she formulates with increasing clarity the basis of her approach to writing, and provides insights into how she composed specific poetry volumes. Some essays are autobiographical (with memories of Christensen’s school years during the Nazi occupation of Denmark), and others are political, touching on the Cold War and Chernobyl. The Condition of Secrecy also covers the Ars Poetica of Lu Chi (261-303 CE); William Blake and Isaac Newton; and such topics as randomness as a universal force and the role of the writer as an agent of social change. The Condition of Secrecy confirms that Inger Christensen is “a true singer of the syllables” (C. D. Wright), and “a formalist who makes her own rules, then turns the game around with another rule” (Eliot Weinberger).
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