9780810848511-0810848511-'The Premier Oboist of Europe': A Portrait of Gustave Vogt

'The Premier Oboist of Europe': A Portrait of Gustave Vogt

ISBN-13: 9780810848511
ISBN-10: 0810848511
Author: Geoffrey Burgess
Publication date: 2003
Publisher: Scarecrow Press
Format: Hardcover 208 pages
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Book details

ISBN-13: 9780810848511
ISBN-10: 0810848511
Author: Geoffrey Burgess
Publication date: 2003
Publisher: Scarecrow Press
Format: Hardcover 208 pages

Summary

'The Premier Oboist of Europe': A Portrait of Gustave Vogt (ISBN-13: 9780810848511 and ISBN-10: 0810848511), written by authors Geoffrey Burgess, was published by Scarecrow Press in 2003. With an overall rating of 4.0 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent 'The Premier Oboist of Europe': A Portrait of Gustave Vogt (Hardcover) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

"The Premier Oboist of Europe": A Portrait of Gustave Vogt describes the life and achievements of the most prolific composer of oboe music in the nineteenth century. This book attempts to stimulate appreciation of Gustave Vogt (1781-1870) as musician and historical personality. It brings together portraiture, personal correspondence, concert reviews, autographs, and countless other documents including Vogt's Conservatoire exam reports, a detailed work list of Vogt's compositions, and the first complete transcription and translation of his unpublished oboe method.

Despite his exceptional career and the seminal position in the history of the oboe, Vogt's long and active career have been largely passed over. He is remembered primarily for being the teacher of oboists who took up posts in France and England. In truth, however, during his long life Vogt witnessed huge transformations, affecting not only musical fashion but the social fabric of the world about him. After being trained at the Paris Conservatoire, he earned considerable repute from his appearances in concert hall and salon. Like most artists of his day, Vogt performed his own compositions but was also praised for his skill as a chamber musician, most notably in the wind quintet that premiered the works of Anton Reicha.

As well as reawakening appreciation of a musician, known in his day as Europe's greatest oboist, this book posits an alternative viewpoint by writing history from the perspective of a musician caught up in the flow of his times―an extraordinary personality who was representative of the place and time in which he lived, rather than an exception to them.
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