9780802047328-0802047327-Candid Eyes: Essays on Canadian Documentaries (Heritage)

Candid Eyes: Essays on Canadian Documentaries (Heritage)

ISBN-13: 9780802047328
ISBN-10: 0802047327
Edition: Illustrated
Author: Jim Leach, Jeannette Sloniowski
Publication date: 2003
Publisher: University of Toronto Press
Format: Hardcover 256 pages
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Book details

ISBN-13: 9780802047328
ISBN-10: 0802047327
Edition: Illustrated
Author: Jim Leach, Jeannette Sloniowski
Publication date: 2003
Publisher: University of Toronto Press
Format: Hardcover 256 pages

Summary

Candid Eyes: Essays on Canadian Documentaries (Heritage) (ISBN-13: 9780802047328 and ISBN-10: 0802047327), written by authors Jim Leach, Jeannette Sloniowski, was published by University of Toronto Press in 2003. With an overall rating of 3.8 stars, it's a notable title among other Criticism (Arts History & Criticism, Canada, Americas History, Social Sciences) books. You can easily purchase or rent Candid Eyes: Essays on Canadian Documentaries (Heritage) (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.54.

Description

Beginning in 1922, when Robert Flaherty filmed 'Nanook of the North' in Canada's Arctic, and encouraged by John Grierson and the federal government in 1939 when they created the National Film Board of Canada (NFB), documentaries have dominated Canada's film production and, more than any other form, have been crucial to the formation of Canada's cinematic identity.

Surprisingly, there has been very little critical writing on this distinguished body of work. Candid Eyes: Essays on Canadian Documentaries not only addresses this oversight in the scholarly literature, but in doing so, it presents an exceptional collection of essays by some of Canada's best known film scholars. Focusing on works produced in French and English under the NFB umbrella, the fourteen essays discuss and critique such landmark documentaries as 'Lonely Boy' (1962), 'Pour la suite du monde' (1963), and 'Kanehsatake' (1993). Long awaited and much needed, this volume will be an indispensable companion for anyone seriously interested in Canadian film studies.

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