9780791444634-0791444635-Image and Imperialism in the Ottoman Revolutionary Press, 1908-1911 (S U N Y SERIES IN THE SOCIAL AND ECONOMIC HISTORY OF THE MIDDLE EAST)

Image and Imperialism in the Ottoman Revolutionary Press, 1908-1911 (S U N Y SERIES IN THE SOCIAL AND ECONOMIC HISTORY OF THE MIDDLE EAST)

ISBN-13: 9780791444634
ISBN-10: 0791444635
Author: Palmira Brummett
Publication date: 2000
Publisher: State Univ of New York Pr
Format: Hardcover 470 pages
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Book details

ISBN-13: 9780791444634
ISBN-10: 0791444635
Author: Palmira Brummett
Publication date: 2000
Publisher: State Univ of New York Pr
Format: Hardcover 470 pages

Summary

Image and Imperialism in the Ottoman Revolutionary Press, 1908-1911 (S U N Y SERIES IN THE SOCIAL AND ECONOMIC HISTORY OF THE MIDDLE EAST) (ISBN-13: 9780791444634 and ISBN-10: 0791444635), written by authors Palmira Brummett, was published by State Univ of New York Pr in 2000. With an overall rating of 3.9 stars, it's a notable title among other Turkey (Middle East History, Communication & Media Studies, Social Sciences) books. You can easily purchase or rent Image and Imperialism in the Ottoman Revolutionary Press, 1908-1911 (S U N Y SERIES IN THE SOCIAL AND ECONOMIC HISTORY OF THE MIDDLE EAST) (Hardcover) from BooksRun, along with many other new and used Turkey books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

An illustrated work focusing on the ways in which satirical publications revealed evolution in Ottoman society.

Palmira Brummett provides a new vision, through the prism of 100 cartoons, of the confrontation between tradition and modernity, “Orient” and “Occident,” and rhetoric and reality. Taking a unique period in modern Middle Eastern history, the Ottoman Constitutional Revolution of 1908, Brummett examines the Istanbul satirical press and artfully weaves the narrative and images of political, economic, and cultural transformation to create a new vision of the Middle East at the end of the empire.

This pioneering work of cultural history is drawn against the backgrounds of Ottoman-European relations and press history. It shows how Ottoman cartoonists merged the literary and artistic cultures of East and West through comparisons to the press production and art of Europe, India, Latin America, and the Middle East. In doing so, it intersects with the broader set of studies in European history, the implications of modernity, and the rhetorical uses of images.
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