9780791429372-0791429377-Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (SUNY SERIES, INTERRUPTIONS -- BORDER TESTIMONY(IES) AND CRITICAL DISCOURSE/S)

Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (SUNY SERIES, INTERRUPTIONS -- BORDER TESTIMONY(IES) AND CRITICAL DISCOURSE/S)

ISBN-13: 9780791429372
ISBN-10: 0791429377
Author: Carol Becker
Publication date: 1996
Publisher: State Univ of New York Pr
Format: Hardcover 268 pages
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Book details

ISBN-13: 9780791429372
ISBN-10: 0791429377
Author: Carol Becker
Publication date: 1996
Publisher: State Univ of New York Pr
Format: Hardcover 268 pages

Summary

Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (SUNY SERIES, INTERRUPTIONS -- BORDER TESTIMONY(IES) AND CRITICAL DISCOURSE/S) (ISBN-13: 9780791429372 and ISBN-10: 0791429377), written by authors Carol Becker, was published by State Univ of New York Pr in 1996. With an overall rating of 3.9 stars, it's a notable title among other Social Sciences (Cultural, Anthropology) books. You can easily purchase or rent Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (SUNY SERIES, INTERRUPTIONS -- BORDER TESTIMONY(IES) AND CRITICAL DISCOURSE/S) (Hardcover) from BooksRun, along with many other new and used Social Sciences books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Addresses the questions: What might be the role of the artist in the 21st century? How essential is art to the psychic and political well-being of American society?

This collection of essays by cultural critic Carol Becker plumbs particular areas of controversy to understand what information these "zones of contention" might yield about the multifarious culture wars taking place within American society today.

In the process she addresses the place of art and artists in society, the difficulties facing women in the workplace, why male bonding exists, why women experience anxiety in relationship to creative endeavors, and why artists are misunderstood within American society. She positions art and artists, as well as institutional dynamics within a philosophical framework.
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