9780791406090-0791406091-A New Beginning: A Textual Frame Analysis of the Political Campaign Film (SUNY Series in Speech Communication)

A New Beginning: A Textual Frame Analysis of the Political Campaign Film (SUNY Series in Speech Communication)

ISBN-13: 9780791406090
ISBN-10: 0791406091
Edition: Fifth or Later Edition
Author: Joanne Morreale
Publication date: 1991
Publisher: State University of New York Press
Format: Paperback 174 pages
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Book details

ISBN-13: 9780791406090
ISBN-10: 0791406091
Edition: Fifth or Later Edition
Author: Joanne Morreale
Publication date: 1991
Publisher: State University of New York Press
Format: Paperback 174 pages

Summary

A New Beginning: A Textual Frame Analysis of the Political Campaign Film (SUNY Series in Speech Communication) (ISBN-13: 9780791406090 and ISBN-10: 0791406091), written by authors Joanne Morreale, was published by State University of New York Press in 1991. With an overall rating of 3.7 stars, it's a notable title among other books. You can easily purchase or rent A New Beginning: A Textual Frame Analysis of the Political Campaign Film (SUNY Series in Speech Communication) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.54.

Description

This book is a postmodern analysis of Ronald Reagan's 1984 film, A New Beginning, which marked the coming-of-age of the televisual political campaign film. The film was a landmark in the art of political filmmaking. Its thesis proclaimed a resurgence of American pride, patriotism, and prosperity under the leadership of Ronald Reagan. A New Beginning was unprecedented for a number of reasons: it replaced the traditional nominating speech for the candidate at the Republican National Convention; its form was a hybrid documentary and advertisement; it illustrated the use of televisual rebirth rhetoric to gain public support for a political ideology; and, most importantly, the masterful project documented a shift from verbal to visual rhetoric in American presidential campaigning. The author examines the film as a cultural text and as an effective political tool. Framing, ideology, myth, and visual cliché are analytic tools used to deconstruct the film; the method combines rhetorical theory with communication theory and semiotically-based theories of film and television. Morreale gives insight into the increasingly prevalent use of television to create a political reality.
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