9780742541160-0742541169-Landscapes in Music: Space, Place, and Time in the World's Great Music (Why of Where)

Landscapes in Music: Space, Place, and Time in the World's Great Music (Why of Where)

ISBN-13: 9780742541160
ISBN-10: 0742541169
Author: David B. Knight
Publication date: 2006
Publisher: Rowman & Littlefield Publishers
Format: Paperback 256 pages
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Book details

ISBN-13: 9780742541160
ISBN-10: 0742541169
Author: David B. Knight
Publication date: 2006
Publisher: Rowman & Littlefield Publishers
Format: Paperback 256 pages

Summary

Landscapes in Music: Space, Place, and Time in the World's Great Music (Why of Where) (ISBN-13: 9780742541160 and ISBN-10: 0742541169), written by authors David B. Knight, was published by Rowman & Littlefield Publishers in 2006. With an overall rating of 4.0 stars, it's a notable title among other History & Criticism (Music, Instruments, Geography, Earth Sciences) books. You can easily purchase or rent Landscapes in Music: Space, Place, and Time in the World's Great Music (Why of Where) (Paperback) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Using landscape as its unifying concept, this engaging book explores orchestral music that represents real and imagined physical and cultural spaces, natural forces, and humans and wildlife. Spanning continents and centuries, David Knight links contrasting forms of music through unifying themes of time and space; waterscapes; imagined and mythic spaces; the search for meaning in extreme landscapes; and realms of death, survival, and remembrance. The author also underscores the importance of the physical spaces in which music is performed. Orchestral works are rarely perceived in geographical terms, but Knight, himself an accomplished geographer and musician, offers a deeply satisfying approach to interpreting and appreciating a wide range of music. Comparing classic masterworks from Europe and Russia alongside more recent compositions from the United States, Canada, New Zealand, Japan, and China, this innovative study offers a fresh understanding of the links between music and the worlds around us.

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