9780719080982-0719080983-Women and the Visual Arts in Italy c. 1400-1650: Luxury and Leisure, Duty and Devotion: A Sourcebook

Women and the Visual Arts in Italy c. 1400-1650: Luxury and Leisure, Duty and Devotion: A Sourcebook

ISBN-13: 9780719080982
ISBN-10: 0719080983
Edition: 1
Author: Mary Rogers, Paola Tinagli
Publication date: 2012
Publisher: Manchester University Press
Format: Hardcover 288 pages
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Book details

ISBN-13: 9780719080982
ISBN-10: 0719080983
Edition: 1
Author: Mary Rogers, Paola Tinagli
Publication date: 2012
Publisher: Manchester University Press
Format: Hardcover 288 pages

Summary

Women and the Visual Arts in Italy c. 1400-1650: Luxury and Leisure, Duty and Devotion: A Sourcebook (ISBN-13: 9780719080982 and ISBN-10: 0719080983), written by authors Mary Rogers, Paola Tinagli, was published by Manchester University Press in 2012. With an overall rating of 3.7 stars, it's a notable title among other Criticism (Arts History & Criticism, Art, Encyclopedias & Subject Guides, Women Writers, Women's Studies) books. You can easily purchase or rent Women and the Visual Arts in Italy c. 1400-1650: Luxury and Leisure, Duty and Devotion: A Sourcebook (Hardcover) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The anthology of original sources from c.1400 to 1650, translated from Italian or Latin, and accompanied by introductions and bibliographies, is concerned with women’s varied involvement with the visual arts and material culture of their day.

The reader gains a sense of women not only as patrons of architecture, painting, sculpture and the applied arts, but as users of art both on special occasions, like civic festivities or pilgrimages, and in everyday social and devotional life. As they seek to adapt and embellish their persons and their environments, acquire paintings for solace or prestige, or cultivate relationships with artists, women emerge as discerning participants in the consumer culture of their time, and often as lively commentators on it. Their fervent participation in religious life is also seen in their use of art in devotional rituals, or their commissioning of tombs or altarpieces to perpetuate their memory and aid them in the afterlife.

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