9780691172064-0691172064-The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts - The complete and unabridged full-color edition

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts - The complete and unabridged full-color edition

ISBN-13: 9780691172064
ISBN-10: 0691172064
Edition: Unabridged
Author: Owen Jones
Publication date: 2016
Publisher: Princeton University Press
Format: Hardcover 496 pages
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Book details

ISBN-13: 9780691172064
ISBN-10: 0691172064
Edition: Unabridged
Author: Owen Jones
Publication date: 2016
Publisher: Princeton University Press
Format: Hardcover 496 pages

Summary

The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts - The complete and unabridged full-color edition (ISBN-13: 9780691172064 and ISBN-10: 0691172064), written by authors Owen Jones, was published by Princeton University Press in 2016. With an overall rating of 3.9 stars, it's a notable title among other Decoration & Ornament (Architecture, Decorative Arts, Decorative Arts & Design, Criticism, Arts History & Criticism, Themes, History, Assyria, Babylonia & Sumer, Ancient Civilizations History, Art, Encyclopedias & Subject Guides) books. You can easily purchase or rent The Grammar of Ornament: A Visual Reference of Form and Colour in Architecture and the Decorative Arts - The complete and unabridged full-color edition (Hardcover) from BooksRun, along with many other new and used Decoration & Ornament books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $11.18.

Description

A complete and unabridged full-color edition of the classic sourcebook on ornamental design

First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.

Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

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