9780691096186-069109618X-Willem de Kooning: Tracing the Figure

Willem de Kooning: Tracing the Figure

ISBN-13: 9780691096186
ISBN-10: 069109618X
Edition: First Edition
Author: Paul Schimmel, Cornelia H. Butler, Anne M. Wagner
Publication date: 2002
Publisher: Princeton University Press
Format: Hardcover 200 pages
FREE US shipping

Book details

ISBN-13: 9780691096186
ISBN-10: 069109618X
Edition: First Edition
Author: Paul Schimmel, Cornelia H. Butler, Anne M. Wagner
Publication date: 2002
Publisher: Princeton University Press
Format: Hardcover 200 pages

Summary

Willem de Kooning: Tracing the Figure (ISBN-13: 9780691096186 and ISBN-10: 069109618X), written by authors Paul Schimmel, Cornelia H. Butler, Anne M. Wagner, was published by Princeton University Press in 2002. With an overall rating of 4.4 stars, it's a notable title among other Individual Artists (Arts Collections, Figure Drawing, Drawing, Specific Objects) books. You can easily purchase or rent Willem de Kooning: Tracing the Figure (Hardcover) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.59.

Description

Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background.


De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality.


The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist's friend and critic, "Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh."


EXHIBITION SCHEDULE



http://www.artcommotion.com/Issue2/moca/home.html The Museum of Contemporary Art, Los Angeles

February 10, 2002-May 5, 2002



http://www.nga.gov/home.htm The National Gallery of Art, Washington, D.C..
September 29, 2002-January 5, 2003



http://www.sfmoma.org/ The San Francisco Museum of Modern Art

June 15 - September 8, 2002

Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book