9780681462847-0681462841-The Pre-Raphaelites

The Pre-Raphaelites

ISBN-13: 9780681462847
ISBN-10: 0681462841
Author: Andrea Rose
Publication date: 1977
Publisher: Phaidon Press Limited
Format: Paperback 126 pages
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Book details

ISBN-13: 9780681462847
ISBN-10: 0681462841
Author: Andrea Rose
Publication date: 1977
Publisher: Phaidon Press Limited
Format: Paperback 126 pages

Summary

The Pre-Raphaelites (ISBN-13: 9780681462847 and ISBN-10: 0681462841), written by authors Andrea Rose, was published by Phaidon Press Limited in 1977. With an overall rating of 3.5 stars, it's a notable title among other books. You can easily purchase or rent The Pre-Raphaelites (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.56.

Description

NEW, Phaidon Press Limited 1977 Paperback 0681462841 From Wikipedia:"The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The three founders were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form the seven-member "brotherhood".The group's intention was to reform art by rejecting what it considered the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. Its members believed the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art, hence the name "Pre-Raphaelite". In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, whom they called "Sir Sloshua". To the Pre-Raphaelites, according to William Michael Rossetti, "sloshy" meant "anything lax or scamped in the process of painting ... and hence ... any thing or person of a commonplace or conventional kind".[1] In contrast, the brotherhood wanted a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art."1^ Hilton, Timothy (1970). The Pre-Raphaelites, p. 46. Oxford University Press.

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